“Sun’s casual­ly seduc­ti­ve bed­room voice speaks of the sin­king of the Titanic, docu­men­ta­ry-style, gar­nis­hed with ori­gi­nal sound­bi­tes, stun­nin­gly mul­ti-func­tion­al accom­p­animent by the four Kuss…

We are very hap­py that our Schubert recor­ding was award­ed with the Quarterly Critic’s Choice! That’s the prai­se of the jury: „It is rare to find such com­pel­ling dra­ma­tur­gy in a pro­gram­me of music…

„It’s not often that you get a cham­ber disc over which grip­ping, cumu­la­ti­ve sto­rytel­ling and brin­ging the reper­toire for­wards are favou­red so enti­re­ly over play­list hits. This is how to programme…

Our new recor­ding is released — you can lis­ten to it or buy it HERE! And we even recei­ved the first review: “What an exci­ting cham­ber music recor­ding!” (Guido Fischer, Rondomagazin)

A new album will be released by Rubicon Classics very soon: we have recor­ded Franz Schubert’s most famous string quar­tet, Death and the Maiden, and com­bi­ned it on a CD with “Sei gutes Muts” by Iris Ter Schiphorst, which we pre­mie­red with Maurice Steger three years…

We proud­ly pre­sent our new music video: A col­la­ge of excerp­ts from works that have been our com­pa­n­ions over the last 20 years; works that we love and admi­re, some of which we pre­mie­red; music we feel at home with, pre­sen­ted in an zig­zag, unsys­te­ma­tic and allusive…

We are deligh­ted to be invi­ted by the Festspiele Mecklenburg-Vorpommern, to their Inselmusik, which is a String Quartet Festival at the begin­ning of September! We were invol­ved in the pro­gram plan­ning and invi­ted two young “up-and-coming” quar­tets, the Chaos Quartet…

We are deligh­ted to be taking part in the fan­ta­stic “Trame Sonore” fes­ti­val in Mantova this year, whe­re we will be play­ing with Alexander Lonquich, among others. This should be the start of fur­ther encounters.

BBC Music Magazine: “… the play­ing is exqui­si­te­ly jud­ged, shif­ting bet­ween fra­gi­li­ty and strength, ali­en­ati­on and fami­lia­ri­ty. The recor­ded sound is inti­ma­te, crea­ting com­pel­ling sonic affi­ni­ties.” The Strad: „It’s a high-con­cept offe­ring, almost a play­list of music…