In a cer­tain sen­se, peo­p­le live on as long as they are remem­be­red. Accordingly, com­po­sers remain ‘ali­ve’ as long as their music is heard. Music histo­ry knows both extre­mes: dazz­ling post­hu­mous fame and com­ple­te obli­vi­on. Yet some­ti­mes, the­re are mira­cu­lous revivals—when see­mingly lost works are redis­co­ver­ed after deca­des of silence, per­for­med again, and thus beco­me (once more) part of our musi­cal memo­ry.” (Funk Stiftung)

We have recor­ded two cham­ber music works by the Hamburg com­po­ser Ernst-Georg Klussmann, dating from his ear­ly crea­ti­ve peri­od – and we are for­t­u­na­te to have had the oppor­tu­ni­ty to work on the pia­no quin­tet with Hungarian pia­nist Péter Nagy.

The music maga­zi­ne Pizzicato has published a first review of the new­ly released album:
“The Kuss Quartet navi­ga­tes con­fi­dent­ly and expres­si­ve­ly through the five move­ments and their shifts in mood, cle­ar­ly brin­ging out the full depth of the work’s expres­si­ve­ness. The inter­pre­ta­ti­on brea­thes with ten­si­on, dra­ma, and intensity—while not negle­c­ting the lyri­cism of cer­tain passages.”